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photo credits: Wikimedia Commons
A documentary film (often described simply as a documentary) is a non-fictional motion picture intended to "document reality, primarily for instruction, education or maintaining a historical record". The American author and media analyst Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries". Research into information gathering, as a behavior, and the sharing of knowledge, as a concept, has noted how documentary movies were preceded by the notable practice of documentary photography. This has involved the use of singular photographs to detail the complex attributes of historical events and continues to a certain degree to this day, with an example being the conflict-related photography achieved by popular figures such as Mathew Brady during the American Civil War. Documentary movies evolved from the creation of singular images in order to convey particular types of information in depth, using film as a medium. Early documentary films, originally called "actuality films", briefly lasted for one minute or less in most cases. While faithfully depicting true events, these releases possessed no narrative structure per se and were of limited interest. Over time, documentaries have evolved to become longer in length and to include more categories of information. Some examples are explicitly educational, while others serve as observational works; docufiction movies notably include aspects of dramatic storytelling that are clearly fictional. Documentaries are informative at times, and certain types are often used within schools as a resource to teach various principles. Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic. Social media organizations such as Dailymotion and YouTube, with many of these platforms receiving popular interest, have provided an avenue for the growth of documentaries as a particular film genre. Such platforms have increased the distribution area and ease-of-accessibility given the ability of online video sharing to spread to multiple audiences at once as well as to work past certain socio-political hurdles such as censorship. Source: Wikipedia (en)
Works about documentary film 40
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Кинооператоры от А до Я: Документальное кино ХХ века : справочник-каталог
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Mountain Film. An Analysis of the History and Characteristics of a Documentary Genre.
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The Rockumentaries, Direct Cinema, and the Politics of the 1960s
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Truthful Medium: The subjectivity of documentary
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What Helps us Learn? Science Communication via Documentaries
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Aspire: a creative exploration of the short, lyrical documentary
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Making the Abstract Tangible: Computer Generated Images and the Science Documentary
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A Collective Documentary? A case study of audio-visual UGC surrounding the Christchurch earthquakes
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Going Green: Evaluating the Effectiveness of Environmental Documentary Film
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Narrative Models for Communicating Energy Science
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Expanding the Documentary Dialogue: Audience engagement and new media for social impact in environmental and social issue documentaries
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Rethinking Indian Cinema: Toward a Cinema of Multiplicity
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Screening Genes: Using frame analyses to explore representations of genetics in documentaries
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Finding Hope on a Planet in Crisis: Combining Citizen Science and Tourism
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Communicating Uncertainty: An ethical framework for science stories
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What qualities of story have contributed to the success of highly acclaimed natural history films?
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Evaluating the Effectiveness of Advocacy Documentary
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Animal Personhood in Wildlife Documentary Films: A Case Study of Four Films
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An Emotional Prehistory: A Scientifically Driven Generated Art Approach to Removing Anthropomorphism and Artistic Interpretation from Prehistoric Visualisations
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The Image of the Scientist in Documentary: A Case Study of Three Films
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The King: A Documentary and Exegesis
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Colombia magia salvaje
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Negative Capability: Documentary and Political Withdrawal
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Developing ethical guidelines for documentary filmmakers working with the elderly
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Does anthropomorphism affect people's ability to distinguish fact from fiction?
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Creative Cross-Cultural Collaboration: Forging a New Path for Ethnographic Film in Aotearoa New Zealand
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The Impact of Different Modes of Film Distribution on Science Communication
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Conflict and Compromises: Wildlife documentary production for commercial television. A case study of Dark Days in Monkey City.
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Taking the Time: D.I.Y. Filmed Portraits for the GLAM Sector
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Perceptions of Wildlife in New Zealand And Persuasive Documentary Filmmaking Techniques
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Balises
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Framing Entertainment and Wild Gorillas: Effects on Public Perception and Endangered Status A Conceptual Review
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