Social science fiction is a subgenre of science fiction, usually (but not necessarily) soft science fiction, concerned less with technology or space opera and more with speculation about society. In other words, it "absorbs and discusses anthropology" and speculates about human behavior and interactions. Exploration of fictional societies is a significant aspect of science fiction, allowing it to perform predictive (The Time Machine, 1895; The Final Circle of Paradise, 1965) and precautionary (Brave New World, 1932; Nineteen Eighty-Four, 1949; Childhood's End, Fahrenheit 451, 1953) functions, to criticize the contemporary world (Gulliver's Travels, 1726; the works of Alexander Gromov, 1995–present) and to present solutions (Walden Two, Freedom™), to portray alternative societies (World of the Noon) and to examine the implications of ethical principles, as for example in the works of Sergei Lukyanenko. More contemporary examples include The Lobster (2015), directed by Greek filmmaker Yorgos Lanthimos, and The Platform (2019). Source: Wikipedia (en)
Works in the genre social science fiction 53
The Begum's Fortune
Le Vingtième siècle
The Purchase of the North Pole
News from Nowhere
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A Story of the Days to Come
In the Year 2889
L'Homme qui devint gorille
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Das Menschenschlachthaus. Bilder vom kommenden Krieg
Voyage au pays de la quatrième dimension
Le Mystère des XV
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The Man from Mars
Nineteen Eighty-Four
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Chronopolis
Memoirs Found in a Bathtub
Dune
His Master's Voice
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The Bull's Hour
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Escape to Last Man Peak
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The Last Day
The Eye of the Heron
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Wir pamięci
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Van Troff's Cylinder
Observation on the Spot
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Druga jesień
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Wyjście z cienia
The End of the Whole Mess
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The Doomed City
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Rozpad połowiczny
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Mord założycielski
Paris in the Twentieth Century
Blindness
Generation "П"
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