A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of fringe theatre shows including at the Edinburgh Festival Fringe. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, Cyclops, a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon. One act plays became more common in the 19th century and are now a standard part of repertory theatre and fringe festivals. One act plays were very popular in the 20th century and it is regarded by many to be a modern product. Source: Wikipedia (en)
Works in which Ro Laren appears 33
Behind Enemy Lines
Abyss
Fearful Symmetry
The Autobiography of Benjamin Sisko
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Pliable Truths
Bajor: Fragments and Omens
Demons of Air and Darkness
The Dominion: Olympus Descending
Lesser Evil
The Last Stand
Sins of Commission
The Soul Key
The Badlands, Book One
The Romulan Prize
The Romulan Stratagem
This Gray Spirit
Here There Be Dragons
Unity
Ferenginar: Satisfaction is Not Guaranteed
Cathedral
Warpath
War Drums
Greater than the Sum
Avatar, Book One
Zero Sum Game
Avatar, Book Two
Q&A
Requiem
Tunnel Trough the Stars
Twilight
The Needs of the Many
Wrath of the Prophets
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