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Criticism is the construction of a judgement about the negative or positive qualities of someone or something. Criticism can range from impromptu comments to a written detailed response. Criticism falls into several overlapping types including "theoretical, practical, impressionistic, affective, prescriptive, or descriptive". Criticism may also refer to an expression of disapproval of someone or something. When criticism of this nature is constructive, it can make an individual aware of gaps in their understanding and it can provide distinct routes for improvement. Research supports the notion that using feedback and constructive criticism in the learning process is very influential. Critique vs. criticism: In French, German, or Italian, no distinction is drawn between 'critique' and 'criticism'. The two words both translate as critique, Kritik, and critica, respectively. In the English language, philosopher Gianni Vattimo suggests that criticism is used more frequently to denote literary criticism or art criticism while critique refers to more general writing such as Kant's Critique of Pure Reason. Another distinction that is sometimes made is that critique is never personalized nor ad hominem and is presented in a way that encourages rebuttal or expansion of the ideas expressed. Nonetheless, the distinctions are subtle and ambiguous at best. The term "brickbat" is sometimes used to mean "an unfavourable criticism, unkind remark or sharp put-down". The term originated in the 17th century, derived from the practice of throwing bricks as projectiles at a person who was disapproved of. In some contexts, such as literary criticism and art criticism, the word criticism is used as a neutral word that is synonymous with evaluation. Source: Wikipedia (en)
Works about criticism 140
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The Dr—yt—n Review
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Blätter und Blüthen von der Gartenlaube gepflückt und mit der Lupe untersucht
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An Experiment in Criticism
Styles of Radical Will
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Women in Thomas Hardy's novels : an interpretative study
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The verse drama of Charles Williams
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Colour imagery in the poetry of Gautier
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The social thesis and prose fiction of Roderick Finlayson
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The uses and inadequacy of language in the theatre of Genet, Beckett and Ionesco
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Inhabited by a cry : a thematic study of Sylvia Plath's Ariel
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The role of the feminine characters in the major novels of Henri Bosco
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The image of woman in the works of Simone de Beauvoir and Jean-Paul Sartre
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Man's search for identity in the modern world : Baudelaire as poet, prophet and moralist
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Mythologisierung und Bildlichkeit in Bertolt Brecht's "Baal"
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The theme of disappearance and renewal in the poetry of Wilhelm Lehmann
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The irony of anarchy in the novels of Joseph Conrad
Under the Sign of Saturn
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Dr. Johnson on Shakespeare
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E.M. Forster : critic and creator
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The narrative technique of Plumb
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Breaking the silence : protest in the feminist fiction of two New Zealand women writers
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Lawrence's people : levels of character in three of the Prussian officer stories
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A reading of the novels of James Courage
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The question of objectivity in Zola's Thérèse Raquin
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"So many people going the other way" : an examination of the moral strategy of language usage in five novels by Janet Frame
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The king of glory : an exploration into the resurrection motif in the writitngs of D.H. Lawrence
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Continuum: the mixture's moment
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Gulliver and other monkeys
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From menace to torture : the development of Harold Pinter's political drama
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Education as problem and solution in some novels by Edith Searle Grossman and Olive Schreiner
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Living death : the hand of death in five of Janet Frame's novels
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Sex and violence in the plays of Joe Orton : a gay perspective
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